Find this painting "The Triumph of Death" by Pieter Brueghel
& then read this poem by Sylvia Plath
Two Views of a Cadaver
1
The day she visited the dissecting room
They had four men laid out, black as burnt turkey,
Already half unstrung. A vinegary fume
Of the death vats clung to them;
The white-smocked boys started working.
The head of this cadaver had caved in,
And she could scarcely make out anything
In that rubble of skull plates and old leather.
A sallow piece of string held it together.
In their jars the snail-nosed babies moon and glow.
He hands her the but-out heart like a cracked heirloom.
2
In Brueghel's panorama of smoke and slaughter
Two people only are blind to the carrion army:
He, afloat in the sea of her blue satin
Skirts, sings in the direction
Of her bare shoulder, while she bends,
Fingering a leaflet of music, over him,
Both of them deaf to the fiddle in the hands
Of the death's-head shadowing their song.
These Flemish lovers flourish; not for long.
Yet desolation, stalled in paint, spares the little country
Foolish, delicate, in the lower right-hand corner.
"I SING the Body electric;" -Whitman
About Me
- Ms. Peacock in the Conservatory
- "A woman who writes her lover four letters a day is not a graphomaniac, she is simply a woman in love. But my friend who xeroxes his love letters so he can publish them someday - my friend is a graphomaniac. Graphomania is not a desire to write letters, diaries, or family chronicles to write for oneself or one's immediate family; it is a desire to write books to have a public of unknown readers. In this sense an amateur writer and Goethe share the same passion. What distinguishes Goethe from the amateur writer is the result of the passion, not the passion itself." -Milan Kundera
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